In 1878, the Jewish-Austrian explorer Charles Wiener prepares to be heralded by the scientific community at the Exposition Universelle. The magnificent fair of “technological advances” numbers among its attractions a human zoo; it is ultimately a display of the peak of scientific racism and the European imperialist project. Wiener's exhibited pedigree: the near rediscovery of Machu Picchu, nearly 4,000 plundered artifacts, a book about Peru, and a child. A century and half later, when Gabriela Wiener visits the museum that houses the Wiener collection, she recognizes herself in the brown faces of the ceramic vessels her great-great-grandfather pillaged. Distraught over converging personal crises—the discovery of her bastard lineage, the death of her father, and the revelation of his second secret family—Gabriela embarks on a quest to pick up the pieces of something shattered long ago and hopefully make it whole again. Her quest leads her to trace the footprints of her family's founder, an illegitimate family lineage shared by many others, and to confront the inheritance of identity itself.